“Nothing is sacred, everything can be said.” – Raoul Vaneigem

Arisandmartha’s work challenges contemporary choreographic practices and the notion of expanded choreography, weaving together movement, text, and conceptual approaches that explore identity, togetherness, the consumption of images, the body as archive, and ritual practices. Through a pronounced physical language, surreal imagery, fragmentation of structure and rhythm, re-enactments, and the use of ready-made materials, they create works that navigate the space between staged and site-specific choreographic production.